Rode Microphones have long been synonymous with top quality studio microphones. Rode condenser microphones have been found in numerous recording studios for two decades and still continue to receive international recognition from technological and musical standpoints such as the 2009 Australian International Design Award and 2009 Red Dot Award it garnered for its Blimp model. Rode Microphones has also received high praise and continued brand loyalty from various areas of the music recording industry, most notably from rock bands such as the Hives. From classic studio microphones like the Rode Classic II to their modern USB toting Podcaster series, Rode microphones are staying beyond the curve in the music industry.
Rode microphones are mostly condenser microphones that use a capacitor to turn sound into electrical impulses for the sound system. These types of microphones are generally favored for studio recording due to their high sound catching fidelity that comes from the design being very sensitive to the movement caused by sound waves. This makes allows it to capture more distinct sounds. This technology has been adapted by electret condenser microphones and has since been added to a wide range of new microphones ranging from USB headsets with microphones and the straight to digital snowball microphone.
The Classic II is one of Rode Microphones’ most popular models. Earning praise for its clarity from various recording artists, including hip-hop’s Snoop Dogg, this device uses modern technology and coats it with a classic look. It uses the combination of a custom 1 inch dual diaphragm capsule, vintage twin triodes valves from GE-JAN-6072 and a custom Jensen output transformer to create a warm and rich sound for vocals and instruments alike. The casing of this model is made from solid brass. Along with its shock mount, this microphone has a durability that is generally associated with dynamic microphones. For its specifications, the Classic II has a dedicated power supply (available in 110 volts and 220 volts versions) and a multi-functional directional pattern. It is capable of using omni-directional, Cardioid and figure-8 directional sound catching for versatility. This Rode microphone is available at $2099.
For film and stage use, Rode Microphones also offers the NGT-1 directional condenser microphone. This shotgun microphone is used to capture clear sound from the source even when surrounded by a plethora of background noises. This is due to its Super Cardioid directional pattern that makes it capable of broadcast quality sound even in such an environment. Along with its low noise circuitry and lightweight, this makes it ideal for use mounted on video cameras or boom poles. It uses a 48 volt phantom supply for power and has a frequency range of 20 Hz to 20 kHz. The Rode Microphone NGT-1 is priced at $249.